‘Visions of the North’: Reinventing the Germanic ‘North’ in Nineteenth-Century Art and Visual Culture in Britain and the Low Countries
A one-day international symposium: 17 June 2016
Compton Verney Museum, Warwickshire, UK
The aim of this conference was to develop new scholarly insights into the neglected transmission of Netherlandish and German art and thought in nineteenth-century British art and visual culture. It builds on new scholarship generated by an earlier conference, ‘Primitive Renaissances’, at The National Gallery, London (2014), which explored interest in Northern medieval and early Renaissance art and visual culture in later nineteenth-century Europe – in art, writings, collections and in identities of cultural heritage – potently symbolized in the expression of the so-called Northern artist ‘primitive’. ‘Visions of the North’ developed on and complemented this first initiative. It focused on specific ways in which nineteenth-century British art and visual culture, in dialogue with the Low Countries, especially Belgium, engaged with early Netherlandish and German art in shaping modern reinventions and perceptions of their ‘Northern’ identities.
Generously supported by